She was vital to the genesis and presentation of these ideas, the oversights of which are entirely mine, and I am forever thankful for her ongoing support. Profound thanks are especially due to two friends and fellow Gothicists — Marie Mulvey-Roberts, whose early encouragement as my external dissertation examiner opened the door for me at Palgrave Macmillan, and William Hughes, whose insatiable thirst for all things Dracula-related is a source of constant amazement.
Henry Continuing my exploration with figure drawing, here are a few sketches done with charcoal on construction paper. The idea for this set came from seeing drawings done on gray paper.
I found most construction paper would work just as good as paper specially designed for drawing. Often times a prop is used to add some variation to the poses. Using a color background is a quick way to add impact to the drawing.
I use the background color as my base and try to fill in only the light and dark areas, leaving the middle tones for the eyes to fill. The short poses can be action and expression poses while the long ones are usually resting poses.
On this drawing you can see I began to outline the figure with the white pencil. Although the pose is very still, these white lines outside the drawing give it some form of action and movement. You can see some dark areas where I tried merging the scans.
This large construction paper provided more area to work on and some of the sheets had a nice texture effect added. I hope you enjoyed the drawings. I have a lot more sketches, but these were some of my favorite ones.
Since drawing sessions start with short 1 or 2 minute poses, many of the other sketches are very rough and unfinished.
If I get a chance I will try posting some of those initial sketches, perhaps they can show additional insight into drawing.The Project Gutenberg EBook of Roget's Thesaurus Copyright laws are changing all over the world.
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