Not so much in literature, where my imagination is free to conjure up whatever horrors necessary to raise the hairs on the back of my neck and get the goosebumps tingling; but most definitely in film. Through the magic of special effects, films are ideally suited to granting vivid, tangible realism to even the most fanciful narratives; thus, the representational side of ghost stories—materialized apparitions, floating objects and the like—has always been well within the scope of where motion pictures excel.
Oct 17, · The Turn of the Screw really is an unusual story, not because of its content, but because of its style and the constant mystery that surrounds literally everything in the story. An article I personally found interesting is Convention and Chaos in “The Turn of the Screw” by Marcus Klein from the Hudson Review (). It is one of the many scholarly pieces of critical essays that look and analysis the sanity of the governess in the novella. It is a critical essay that makes you question her sanity a little bit closer than you normally would. The name of the story, Turn of the Screw, derives its name from this, the addition of a second child evoked from the group of listeners an eerily eager ‘two turns of the screw’ response. “I quite agree—in regard to Griffin’s ghost, or whatever it was—that its appearing first to the little boy, at so tender an age, adds a particular.
The Governess Mad or Sane Heroine? As reading the novella Turn of the Screw we have witnessed a governess who claims there are ghosts around, ghosts no one seems to see even though she has such strong descriptions.
The governess is a complex character which is why there are so many different interpretations of her. The audience is never truly sure if she is a character that can be trusted or not. She is a character that really keeps the audience in suspense of what is going to happen.
There is evidence in the novella that supports the idea that she is either just an insane woman or a sane heroine.
Neither idea is wrong, but majority of English scholars are heavily on just one side of the spectrum if she is either just a mad woman or a sane heroine. When the governess claims that the children are being haunted by evil spirits Mrs.
Grose automatically believes her claim merely because of her intellectual mind in comparison to her own. Grove is to believe or trust her it is hard not to doubt if what she is saying is true. She believes she is encountering Peter Quint during one encounter and another encounter she believes she is seeing Miss Jessel.
When she encounters who she believes is Peter Quint, she describes him to Mrs. She also refuses to go to church after this scary encounter happens because she is worried for the children. This scene can offer the reader a different prospective on the governess, a point of view of being a heroine, instead of being just some crazy hallucinating woman.
If she able to give such a strong description we can look at this as her not being crazy, but a pure and innocent guardian of the children. One person might analyze this to be evidence for her to be sane and one could use this particular scene as evidence to show she is crazy.
Some might argue this particular appearance of the man as a part of her imagination. She is a woman who desires her employer very deeply so this could add to her wild thoughts or hallucinations. If the character cannot trust herself, why would the audience want to trust her?
Since we can see that governess is such an emotional person, one could also argue that she is hallucinating of these ghosts from her fears. A fast heartbeat or fear can also be the result from being in love with someone, so her fears stem from this feeling she has for him.
When she has the encounter with Peter Quint she sees him wearing her master clothes so this could be argued that the clothes represent the hallucination coming from the love she has for her master or employer.
That the governess could be the innocent one and Mrs. Grose has been in the family for many years and is much older, but as soon as the governess comes in she is already put into the second class category. For someone to be working so hard and doing so much in the household to not given such an honorable position is just devastating and makes sense as to why Mrs.
Grose could possibly do this to the governess. When someone has a certain attachment or fondness for someone they might get a bit more competitive and strive to keep them close to only them.
Grose chooses to sabotage the governess in order to keep her affection and not lose her power. In conclusion, the governess is a complex character very difficult not to analyze only one idea of her.
There is so much evidence for the audience to only think of such one broad argument. This is a novel that is truly a challenge to any literary scholar because it can be depicted in so many ways, James gives the read to option to let the story have their own meaning to them.
He leaves such a mystery in the novel that anyone can just interpret it in different ways.In fact, The Turn of the Screw is easily one of the most influential—and, yes, terrifying—ghost stories of all time. Here's what made it so successful: James was in the middle of his career at the point he wrote The Turn of the Screw, and he wrote it on the heels of a couple of failed attempts at writing plays.
“The Turn of the Screw” must be second only to the name Honore de Balzac in the sophomoric literary dirty joke department. Henry James’s novella The Turn of the Screw has already been adapted many times, providing the source material for several films, two full-length ballets – by Will Tucket and Luigi Zaninelli –, an opera by Benjamin Britten and a play on Broadway directed by Harold Pinter.
What role does the corruption of innocence play in ‘Turn of the screw’ by Henry James and ‘Lord of the Flies’ by William Golding? In the books Lord of the Flies and Turn of the screw, the corruption of innocence is used to show how easily evil can manifest itself in children.
The Turn of the Screw and Ghost Girl. The former is regarded as a template for contemporary narratives of abuse in its construction of The former is regarded as a template for contemporary narratives of abuse in its construction of.
LitCharts assigns a color and icon to each theme in The Turn of the Screw, which you can use to track the themes throughout the work. The Supernatural To call this a theme may seem a little ridiculous, given that this is a ghost story—of course there are supernatural events.